Beethoven Op 18, No. 5: Part III
Beethoven’s Op. 18, No. 5 quartet concludes with a thrilling final movement that masterfully combines energy and elegance. From its lively opening theme to the Mozart-inspired chorale and a breathtaking coda, this finale showcases Beethoven’s youthful brilliance and pays homage to his great predecessor. Dive into our detailed analysis to uncover the intricate musical dialogues and contrasts that make this movement a standout.
Beethoven Op 18, No. 5: Part II
In the third movement of Beethoven’s Op. 18, No. 5 Quartet, the composer takes a simple theme on an extraordinary journey through a set of contrasting variations. With each new section, Beethoven reveals the theme’s hidden depth by transforming it into textures both delicate and dynamic, contemplative and joyful. Join us as we explore how Beethoven weaves his signature inventiveness and contrasting moods into this captivating Theme and Variations.
Beethoven Op 18, No. 5: Part I
In his Op. 18, No. 5 quartet, Beethoven takes inspiration from Mozart’s K. 464, blending elegance with lively energy. Across the first two movements, he balances playful themes, graceful dances, and subtle moments of tension, creating a work that’s as much a tribute as it is uniquely Beethoven.
Beethoven Op. 18, No. 5: An Introduction
In the late 18th century, the string quartet emerged as a pinnacle of musical expression for composers. Beethoven, inspired by the masterpieces of Haydn and Mozart, set out to craft his own distinctive voice within the genre. In this post, we introduce Beethoven's String Quartet in A major, Op. 18, No. 5, exploring its historical context and the influences of Mozart. Read more to discover how this remarkable work pays homage to the greats while signaling Beethoven's innovative spirit, setting the stage for his revolutionary contributions to classical music.
24/25 A Season of Inspiration
The CMC Paris is excited to announce its 2024-25 season, featuring four captivating chamber music programmes built around the theme of ‘Inspiration’. Highlights include the continuation of our Beethoven String Quartet Project, a thrilling pairing of Brahms and Dohnányi piano quartets, and a special evening of songs with mezzo-soprano Christina Gill and pianist Mirei Tsuji. The season culminates in June with Beethoven’s final ‘early’ quartet alongside one of Haydn’s late works. Join us for a musical journey that promises to inspire!