Mozart’s Quartet K. 464: Part I
Discover the elegance of the first movement of Mozart’s K. 464. It showcases Mozart’s mastery of form, clarity of musical thought, and boundless inventiveness in counterpoint.
Borodin String Quartet No. 2—Part 1
Borodin’s String Quartet No. 2 begins with an Allegro moderato where the cello introduces a lyrical First Theme, quickly taken up by the first violin. This dialogue between instruments imbues the music with a personal touch, reflecting Borodin’s affection for his wife. The exposition progresses through distinct themes, including a darker secondary theme and a chromatic closing theme. The development explores these themes in varied keys, leading into a recapitulation that features a surprising colour change to E-flat major and a joyful climax. The movement concludes with a tranquil coda. The second movement, a Scherzo, sparkles with Mendelssohnian influence and features playful themes and a contrasting Trio section.
Fantastic finale
Beethoven’s finale to his first published quartet (Op. 18, No. 1) is a thrilling ride that is bursting with musical ideas, exciting contrapuntal passages, and surprises galore. It is a fitting finish to this glorious quartet that shows versatility, humour, surprise, and deep emotion.
Passion and expression
The second movement of Beethoven’s Quartet in F major transports us to another world. We are no longer in sunny F major; we are in a dark and tumultuous D minor. With is mournful melodies, impassioned outbursts, and deafening silences, Beethoven explores tragedy, loss, and terror in this excellent early example of emotional exploration in music.